Constance Wu with Sandra Tsing Loh
A powerful and poignant memoir-in-essays from Constance Wu, the star of Crazy Rich AsiansĀ and Hustlers.
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Constance WuĀ is the Golden Globe Awardānominated star of Crazy Rich AsiansĀ and Hustlers. Ā Her breakthrough role was starring as Jessica Huang in the television comedy Fresh Off the Boat(2015ā2020). She has been nominated for the Screen Actors Guild award, two Television Critics Association awards, and four Critics Choice awards. TimeĀ has honored her as one of the 100 Most Influential People of the Year.
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Sandra Tsing LohĀ is a writer/performer whose off-Broadway solo shows include: Aliens in America and Bad Sex With Bud Kemp. Repertory theatre: Sugar Plum Fairy (Geffen, Seattle Rep, East West Players), I Worry (Woolly Mammoth, Kennedy Center, Actors Theatre of Louisville) , the Madwoman in the Volvo (South Coast Rep, Pasadena Playhouse, Berkeley Rep), and The Bitch Is Back (Broad Stage),Ā Ā Her comic memoirs include the Madwoman and the Roomba, Madwoman in the Volvo, Mother on Fire, A Year in Van Nuys, and Depth Takes a Holiday. Ā A contributing editor to the Atlantic,Ā Loh has been featured on NPRās āMorning Edition,ā PRIās āMarketplace,ā and Ira Glassā āThis American Life.āĀ Ā Since 2004, she has hosted the syndicated daily radio minute (KPCC/NPR)āThe Loh Down on Science.ā
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āThere were times when I was reading Making a Scene that I didnāt realize I was holding my breath; itās that riveting and personal. Making a Scene is a treasure and so is Constance Wu. I feel so lucky to call this talented and hilarious woman my friend.ā āMindy Kaling, author of Why Not Me?
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Growing up in the friendly suburbs of Richmond, Virginia, Constance Wu was often scolded for having big feelings or strong reactions. āGood girls donāt make scenes,ā people warned her. And while she spent most of her childhood suppressing her bold, emotional nature, she found an early outlet in local community theaterāit was the one place where big feelings were okayāwere good, even. Acting became her refuge, her touchstone, and eventually her vocation. At eighteen she moved to New York, where sheād spend the next ten years of her life auditioning, waiting tables, and struggling to make rent before her two big breaks: the TV sitcom Fresh Off the Boat and the hit film Crazy Rich Asians.
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Through raw and relatable essays, Constance shares private memoires of childhood, young love and heartbreak, sexual assault and harassment, and how she āmade itā in Hollywood. Her stories offer a behind-the scenes look at being Asian American in the entertainment industry and the continuing evolution of her identity and influence in the public eye.
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āMAKING A SCENE is a tribute to the people and events that have shaped my humanity and determined the direction of my life. Writing it taught me to look back on formative memories with curiosity and attention, rather than my old patterns of judgment and shame. It was a practice I found healing and heartening. My hope for this book is that it might encourage readers to look at their own lives in this way, too. My hope is that it will be helpful,ā Constance wrote. Through her poignant, raw, and courageous essays, MAKING A SCENE paints an intimate portrait of the pressures and pleasures of existing in todayās world, and is sure to resonate with fans and readers everywhere.