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Eric Weiner in the news (LAT, NYT, NPR, PBS NewsHour, AARP)….We host him on ‘seeking God’ on Jan 18…
We host Eric Weiner on January 18 in conversation with Lisa Napoli discussing his new book, MAN SEEKS GOD: My Flirtations With the Divine. Here are some pieces in the media on his new book that may be of interest… tickets available here.
Eric Weiner in the News….
— Op-Ed by Eric Weiner, One Nation, Under Gods, Los Angeles Times
— Finding My Religion, New York Times
— A Quest to Seek the Sublime in the Spiritual, Eric Weiner on NPR’s All Things Considered
— A “Flexible, Porous’ Nation for Religious Beliefs, PBS NewsHour
— Stumbling Toward the Divine, AARP Magazine
January 25 — An Evening with Jason Alexander
Wednesday, January 25, 2012
8:00pm (Reception 6:30-7:30pm)
An Evening with Jason Alexander
in conversation with Val Zavala, host of KCET’s SoCal Connected
PURCHASE TICKETS ($25, $95 includes pre-event reception)
Online Ticket Sales end at 5pm. Limmitted Tickets available at the door. (cash only)
The Aero Theatre
1328 Montana Avenue (at 14th Street)
Santa Monica, CA
The persona of George Costanza, created by versatile actor/writer/director Jason Alexander, has been dubbed by Entertainment Weekly as one of the “Best Television Sidekicks of All Time” (#3 actually, behind Robin and Tonto). The hapless, thoughtless, neurotic everyman that he played for nine seasons on NBC’s “Seinfeld” garnered him six Emmy and four Golden Globe nominations, an American Television Award and two American Comedy Awards for “Best Supporting Actor in a Television Series.” The Screen Actors Guild named him “Best Actor in a Comedy Series,” despite his role as a supporting actor, and he led a TV Guide Readers and Critics Poll that named him one of the top 10 characters in TV history. “Seinfeld” remains the most successful half hour television series throughout the world.
Fifteen years before “Seinfeld,” Alexander was building a career that would include performing Tony Award-winning Broadway roles as well as appearing in major film and television projects, producing, directing and writing. After studying at Boston University’s College of Fine Arts, he moved to New York to pursue a theater career. His notable Broadway debut came in Hal Prince and Stephen Sondheim’s 1981 musical production of Merrily We Roll Along. He also starred in productions of Forbidden Broadway, The Rink, Stop the World…, Neil Simon’s Broadway Bound, Personals, Light Up the Sky, Michael Stewart’s “D,” and Accomplice, to name a few. Though known at the time mainly as an actor, Alexander was asked by Jerome Robbins to write the narrative book for his revue Jerome Robbins’ Broadway. To perform it, Alexander would play 14 different characters at every performance. And for that chameleon-like ability, he won the Drama Desk, Outer Critics Circle and Tony Awards as “Best Actor in a Musical.” The show he authored went on to win Best Musical.
After winning the Tony Award in 1989, Alexander was cast in two projects that would change the direction of his career and his life. The first was his role as Richard Gere’s wily and misogynistic lawyer in Pretty Woman. The second was winning the role of George in “Seinfeld,” which made him recognizable throughout the world as a figure that some would slap, some would cuddle, but all would love.
Since moving to Los Angeles, film and television have been the focus of his work. His film credits include Hachiko: A Dog’s Story, The Burning (notable as the first film by Harvey and Bob Weinstein), Mosquito Coast, White Palace, Jacob’s Ladder, Coneheads, The Paper, North, Blankman, Dunston Checks In, Love, Valor, Compassion, The Adventures of Rocky and Bullwinkle, Shallow Hal and Ira and Abby. In 1996 Alexander formed his production company, AngelArk Entertainment, and has gone on to direct the features For Better or Worse with Lolita Davidovich and James Woods, as well as Just Looking with Gretchen Mol. AngelArk has also been successful producing the television shows “Ultimate Trek,” “Bob Patterson” and “Listen Up” and the films Agent Cody Banks and Agent Cody Banks 2: Destination London.
Alexander has been a staple of television viewing far beyond his years on “Seinfeld.” He starred on the series “Everything’s Relative,” “E.R.,” “Bob Patterson” and “Listen Up.” He has guested on “Newhart,” “Dream On,” “The Nanny,” “Remember WENN,” “Star Trek: Voyager,” “Friends,” “The Twilight Zone,” “Malcolm in the Middle,” “Monk,” and “Everybody Hates Chris.” He has also directed episodes of “Remember WENN,” “Campus Ladies,” “Everybody Hates Chris” and “Seinfeld,” for which he was nominated for a DGA Award. Alexander also starred in several films for television, including: “Rockabye,” “Favorite Son,” “Cinderella,” “The Man Who Saved Christmas,” “Bye Bye Birdie” and “A Christmas Carol.” Commercials have been a consistent part of his career as he has participated in several historic commercial campaigns. Today, most of his commercial work is as a director of both commercials and music videos. His most recent video, Brad Paisley’s “Cooler Online,” recently won him the honor of directing the “Country Music Video of the Year” at the CMA’s in November 2007.
His voice has been featured in both film (Aladdin 2: The Return of Jafar, The Hunchback of Notre Dame I and II, Madeline: Lost in Paris, The Trumpet of the Swan, 101 Dalmatians II: Patch’s London Adventure, Farce of the Penguins) and television (“Dinosaurs,” “Aladdin,” “Hercules,” “Dilbert,” “The Legend of Tarzan,” “House of Mouse,” “Odd Job Jack” and as the star of the cult animation classic, “Duckman”).
When Alexander is not appearing as a character, he is often being asked to appear as some version of himself. He’s been a frequent guest on every major daytime and late-night talk show. He has hosted “Saturday Night Live” and “The 47th Annual Emmy Awards.” He has played himself on “The Larry Sanders Show,” “Curb Your Enthusiasm,” “The Muppet Show,” “Sesame Street,” “Comic Relief,” “The Aristocrats,” game shows, celebrity poker showdowns, celebrity roasts, improvisations and charity telethons. He is most proud and most often commended for his several appearances with host Bill Maher on the HBO series “Real Time,” in which he has been an outspoken, articulate, insightful and satirical advocate for progressive issues.
Alexander has also found many opportunities to return to the stage despite basing his career in Los Angeles. Currently, he is traveling the country in the one man show, The Donny Clay Experience, an original show he created with Peter Tilden billed as a “hilarious spoof of motivational speakers in an evening of laughter, music, personal growth and partial nudity.” As an actor, he has starred as President Harry Truman in the one-man show Give ‘Em Hell, Harry! He starred with Peter Falk in the world premiere of Defiled at the Geffen Playhouse and inaugurated the Reprise Theater Company by starring in their first production, Neil Simon’s Promises, Promises. Most notably, Alexander starred for eight months alongside Martin Short in the acclaimed L.A. production of Mel Brooks’s The Producers where he was hailed by critics and audiences alike.
Working both sides of the boards, Alexander has also directed the West Coast premiere of Sam Shephard’s The God of Hell at the Geffen Theater as well as Sunday In The Park With George and his own newly adapted rendition of the classic Damn Yankees, both for Reprise Theater Company. In fact, Alexander’s name has become synonymous with Reprise since he took over as artistic director in June 2007. Reprise is fast becoming a national center for the revitalization of classic American musicals, as well as the development of the next generation of musical theater.
He has been teaching acting and other performing arts around the country and served as a guest professor at the USC School of Fine Arts. Alexander serves as the national spokesperson for the Scleroderma Foundation, helping to educate and unite patients and families suffering from this disfiguring and often fatal disease. He is also a preeminent spokesman and representative for OneVoice – a grassroots organization of Israelis and Palestinians committed to a peaceful, two-state solution in the Middle East.
As a teenager, Alexander was a serious student of magic before making the transition to acting. His love of the magical arts has never left him and he has been a member of the renowned Magic Castle for close to 20 years. In 2007 Alexander made his performing debut in the Castle’s Parlour of Prestidigitation and a panel of professional colleagues then named him “Parlour Magician of the Year.”
Val Zavala is anchor of KCET’s SoCal Connected. She is also Vice President of News and Public Affairs at KCET. She has been the anchor of SoCal Connected since its debut in 2008. She has been at KCET since 1987, serving as anchor, reporter or executive producer for the long-running Life & Times as well as other news programs and specials.
Over her career at KCET she has won 15 L.A. Area Emmys and eight Golden Mikes, and has been honored for her professional accomplishments by Hispanic Americans for Fairness in Media and the California Chicano News Media Association, and was named one of the 100 most influential Latinas by Hispanic Business Magazine (2006.)
Ms. Zavala came to KCET with six years reporting experience at commercial news stations. She has covered major issues impacting southern California politics, education, healthcare, environment, demographics, arts and culture.
In 1992 Zavala attended Stanford University on a John S. Knight Journalism Fellowship. She received her Masters in journalism from American University in Washington, D. C. and her B.A. in Latin American Studies from Yale University.
Purchase Tickets:
$25 Live Talks Los Angeles with Jason Alexander, 8pm (doors open at 7:30pm)
$95 includes pre-event reception (6:30-7:30pm)
Proceeds from this event support KCET
The Aero Theatre
1328 Montana Avenue (at 14th Street)
Santa Monica, CA 90403
Tina Fey in conversation with Steve Martin video posted…
We have posted the video from our event with Tina Fey in conversation with Steve Martin from April 19 discussing Fey’s book, Bossypants. The Los Angeles Times called the event a “comedy happening”. We have an exciting Fall coming up, so be sure to check back soon. Some highlights will include Dave Barry & Ridley Pearson, Hal Holbrook, Deepak Chopra and Leonard Mlodinow discussing Science vs. Spirituality, Harry Belafonte and Adam Gopnik to name a few. Enjoy the video, share…
Ann Patchett, at Track 16 on Monday, June 13…NYT, LAT, NPR reviews of her new book, State of Wonder
Ann Patchett appears at Live Talks Los Angeles on Monday, June 13 at Track 16 at Bergamot Station, in conversation with novelist Maile Meloy. Tickets available here. And here are some reviews of her new book, State of Wonder.
Review in The New York Times
Review in The Los Angeles Times
Review and excerpt on NPR
Review in Entertainment Weekly
Bob Neuwirth in conversation with David Felton
Bob Neuwirth
in conversation with
David Felton
Tuesday, June 7, 2011, 8pm
Track 16, Bergamot Station
2525 Michigan Ave, Bldg. C-1,
Santa Monica, CA
$20 General Admission, $95 includes reception from 6:30-7:30pm at Track 16 Gallery
Join us for this special Live Talks Los Angeles event presented in conjunction with Track 16 Gallery on the occasion of an exhibition of paintings by Bob Neuwirth curated by Kristine McKenna. For more information on the exhibition visit the Track 16 website.
Overs & Unders: Paintings by Bob Neuwirth, 1964 – 2009; May 14-June 11, 2011
This retrospective exhibition includes sixteen canvases produced over the course of Neuwirth’s forty-five year career in art, which has included painting, sculpture, filmmaking and music. Difficult to categorize, Neuwirth has moved from one medium to another, but has always returned to his original disciplines of drawing and painting. As he says, “all art is visual for me, whether I’m painting or trying to write a good song.” Overs & Unders offers the first comprehensive overview of his stylistic development. Neuwirth came of age during the glory days of New York action painting, and abstraction has always been central to his art-making practice. Overs & Unders includes a selection of work from the early ‘60s, when he was producing quirky hybrids of Cubism and Surrealism. The ‘70s found him exploring various experimental materials, and he went on to produce a series of wall works that straddled the zone between painting and sculpture, and a cycle of haunted landscapes that are poised between abstraction and figuration. Neuwirth’s work has grown increasingly lyrical and fluid over the course of his career, and in recent years he has been producing exuberant, expansive pictures filled with space, light, and blazing color.
Born in Ohio, Neuwirth began painting as a teenager. While a student at Ohio University, he met Jim Dine who was working as a graduate assistant to one of his professors. Dine encouraged him to go to the School of the Museum of Fine Arts, Boston. After two years at school, Neuwirth made his way to Paris where he spent time wandering the Louvre and the Orangerie absorbing classical and Impressionist painting influences. He returned to Boston and became part of the Cambridge Folk scene that launched the careers of Joan Baez and Geoff Muldaur among others. As a result of playing music in various folk venues Neuwirth entered the fluid world of transcontinental folk-slingers and traveled the axis between Cambridge/New York, and Berkeley/San Francisco, with detours in between. In 1964 while living in Berkeley, Neuwirth got a call from his friend Bob Dylan asking him to join a tour that resulted in the now classic D.A. Pennebaker film Don’t Look Back.
At the end of that 1965 tour, Neuwirth took a loft in a deserted neighborhood under New York’s Manhattan Bridge that had previously belonged to Eric Dolphy. The building also housed the Chiron Press, which printed the famed LOVE posters featuring the tilted ‘V,’ and the studio of an old friend from Boston, Brice Marden. Marden introduced Neuwirth to fellow New York artists David Novros and Frosty Myers, and they convened regularly at the artists’ meeting place, Max’s Kansas City. Neuwirth became a part of a group of habitués that included Larry Poons, Robert Smithson, Robert Raushenberg and Andy Warhol. His work was included in group shows at the Park Place Gallery curated by Paula Cooper; at the Bykert Gallery curated by Klaus Kertes; and in shows at the New Jersey State Museum and the Jewish Museum. Also interested in film, Neuwirth worked with D.A. Pennebaker on Eat the Document and Monterey Pop Festival and Richard Leacock on Lulu and AM/PM (co-directed by Jean-Luc Godard), to learn the basics of filmmaking. He made several nonlinear films, including an unreleased short film for The Doors, all the while continuing to make watercolors and drawings.
He spent time in Nashville, Tennessee and toured with Kris Kristofferson/Rita Coolidge. In 1975 he assembled the house band for the traveling rock ‘n’ roll circus, The Rolling Thunder Review, and was master of ceremonies and performer with both editions of that tour. In 1980 he moved to Santa Monica, CA, where he continued to paint while making solo albums, Back to the Front and 99 Monkeys. In 1989, Arts at St. Ann’s commissioned a music/theater project, Last Day on Earth that was a collaboration with John Cale. It had its New York premier in1990. Neuwirth did musical tours with Warren Zevon and John Cale, and in 1996 made Havana Midnight with Cuban composer, José Maria Vitier. Neuwirth has released five solo LPs, and was a producer of Down From the Mountain, the 2000 documentary film exploring the American roots music showcased in the Coen Brothers’ film, O Brother, Where Art Thou? Neuwirth maintains studios in Manhattan and Santa Monica, and splits his time between the two cities.
David Felton has spent his life experimenting with new forms of journalism and television writing. At the Los Angeles Times he won a Pulitzer Prize for his work covering the first Watts uprising and wrote a three-act play documenting the Summer of Love. At Rolling Stone Magazine his five-part study of Charles Manson, including a pre-trial interview, won the National Magazine Award. He edited Hunter S. Thompson’s seminal Fear and Loathing in Las Vegas. Felton produced and wrote “MTV: the Reagan Years” for public television and helped develop the “Beavis and Butt-Head” show for MTV. In recent years he has run MTV Labs to encourage creative experimentation by the employees of MTV Networks. He is the author of Mindfuckers: a Source Book on the Rise of Acid Fascism in America.
Reviews of Tina Fey’s Bossypants. Fey is at Live Talks April 19
Here are links to various review of Tina Fey’s new book, Bossypants. Tina Fey is interviewed by Steve Martin on April 19 at our event at the Nokia Theatre. We have sold our allocation of tickets but there are still tickets available thru Ticketmaster.
From the New York Times:
“….dagger-sharp, extremely funny new book for which even the blurbs are clever. (“Totally worth it.” — Trees.)…Bossypants” isn’t a memoir. It’s a spiky blend of humor, introspection, critical thinking and Nora Ephron-isms for a new generation….
From the Los Angeles Times:
People will buy [“Bossypants”] in hopes that it is funny, and that it is, my friends, that it is. Amazingly, absurdly, deliriously funny. Everything you would hope for from this book — it’s impossible to put down, you will laugh until you cry, you will wish it were longer, you can’t wait to hand it to every friend you have — is true.
From NPR reviewed by Janeane Garofalo:
Bossypants is not so much a memoir as it is a sort of here’s-what-happened-and-why-I think-this kind of book. It’s honest and intimate, without any maudlin tales of childhood sorrow, no extraneous snark or hit-and-run tell-all gossip. It’s just a great read from a mature thinker.
From USA Today:
It’s not every day you read something that makes you laugh out loud every other page. Then again, Tina Fey doesn’t write a book every day. Maybe she should.
See Tina Fey live at the Nokia Theatre in conversation with Steve Martin April 19th, 8pm. Get your tickets here.