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Antkind
Tuesday, July 14, 2020
8:00pm 
 
An Evening with
Charlie Kaufman

discussing his novel,
Antkind

Dynasty Typewriter at The Hayworth (Parking info)
2511 Wilshire Blvd,
Los Angeles, CA 90057


PURCHASE TICKETS
$43 General Admission seating + Book

$53 Reserved Section seating + Book
$20 General Admission (on sale April 15, 10am)

*Please note this event was initially on May 15, but the publication of the book has been delayed and this is the new date.  If you had tickets, your tickets are good for the new date.

 

Charlie Kaufman is the screenwriter of films including Anomalisa; Synechdoche, New York; Adaptation; Eternal Sunshine of the Spotless Mind; and Being John Malkovich. He won an Academy Award for his work on Eternal Sunshine of the Spotless Mind and has been nominated three additional times. He is also a three-time BAFTA winner for screenwriting, and he has been nominated for three Golden Globe Awards, among many other film honors.

B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius.

All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être.

A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.