Richard Powers with Scott Timberg

Monday, April 23, 2018
8pm 
 
 
Richard Powers
in conversation with Scott Timberg

discussing the writing life and his novel,
The Overstory

Ann and Jerry Moss Theatre
New Roads School
Herb Alpert Educational Village
3131 Olympic Blvd.,
Santa Monica, CA

PURCHASE TICKETS 
$45 Reserved Section Seat + Book
$20 General Admission Seat
$30 Reserved Section Seat

Richard Powers is the author of twelve novels, most recently Orfeo. He is the recipient of a MacArthur “Genius” grant and the National Book Award, and he has been a Pulitzer Prize and four-time National Book Critics Circle Award finalist. He lives in the foothills of the Great Smoky Mountains.

“If Powers were an American writer of the nineteenth century, which writer would he be? He’d probably be the Herman Melville of Moby-Dick. His picture is that big.” —Margaret Atwood

This book is beyond special. Richard Powers manages to turn trees into vivid and engaging characters, something that indigenous people have done for eons but that modern literature has rarely if ever even attempted. It’s not just a completely absorbing, even overwhelming book; it’s a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed.”—Bill McKibben

An Air Force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back into life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another. These four, and five other strangers―each summoned in different ways by trees―are brought together in a last and violent stand to save the continent’s few remaining acres of virgin forest.

In his twelfth novel, National Book Award winner Richard Powers delivers a sweeping, impassioned novel of activism and resistance that is also a stunning evocation of―and paean to―the natural world. From the roots to the crown and back to the seeds, The Overstory unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond, exploring the essential conflict on this planet: the one taking place between humans and nonhumans. There is a world alongside ours―vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.

The Overstory is a book for all readers who despair of humanity’s self-imposed separation from the rest of creation and who hope for the transformative, regenerating possibility of a homecoming. If the trees of this earth could speak, what would they tell us? “Listen. There’s something you need to hear.”

Scott Timberg is a Los Angeles-based arts and culture writer. A former Los Angeles Times and Salon staffer, he writes these days for The Los Angeles Review of Books, Los Angeles magazine, LMU Magazine, and the New York Times. He’s the author, most recently, of Culture Crash: The Killing of the Creative Class (Yale University Press), and runs the accompanying ArtsJournal blog CultureCrash. He’s currently working on a book about the ’60 and folk rock with the musician Richard Thompson. Follow Timberg on Twitter at @TheMisreadCity. 

Comments are closed.