Soraya Chemaly
Rage Becomes her
Wednesday, September 26, 2018
8pm 
 

Soraya Chemaly
in conversation with Amy Baer

discussing her book,
Rage Becomes Her

Ann and Jerry Moss Theatre
New Roads School
Herb Alpert Educational Village
3131 Olympic Blvd.,
Santa Monica, CA 90404

PURCHASE TICKETS/RSVP 
This event is part of our Newer Voices Series.
General Admission tickets are complimentary, but we encourage you to support these newer authors and purchase their books.

PURCHASE TICKETS 
Comp General Admission Tickets RSVP HERE (Available Aug, 24 10am)
$30 Reserved Section Seat + Book
$35 Two Reserved Section Seats + 1 book

Soraya Chemaly is an award-winning writer and activist whose work focuses on the role of gender in culture, politics, religion, and media. She is the Director of the Women’s Media Center Speech Project and an advocate for women’s freedom of expression and expanded civic and political engagement. A prolific writer and speaker, her articles appear in Time, the Verge, The GuardianThe NationHuffPost, and The Atlantic. Follow her on Twitter at @SChemaly and learn more from her website.

“How many women cry when angry because we’ve held it in for so long? How many discover that anger turned inward is depression? Soraya Chemaly’s Rage Becomes Her will be good for women, and for the future of this country. After all, women have a lot to be angry about.” 
—Gloria Steinem

“Women’s anger is the last taboo. In this provocative examination of the forbidden, hidden emotion, Soraya Chemaly asks ‘What do we lose, personally and as a society, by not listening to women’s anger or respecting it?’ Answer: the true voice of half of humanity. If you want to understand why #Metoo has swept the country, you need to read this book.”
—Katha Pollitt, poet and columnist, author of Learning To Drive

A transformative book urging twenty-first century-women to embrace their anger and harness it as a tool for lasting personal and societal change. 

Women are angry, and it isn’t hard to figure out why.

We are underpaid and overworked. Too sensitive, or not sensitive enough. Too dowdy or too made-up. Too big or too thin. Sluts or prudes. We are harassed, told we are asking for it, and asked if it would kill us to smile. Yes, yes it would.

Contrary to the rhetoric of popular “self-help” and an entire lifetime of being told otherwise, our rage is one of the most important resources we have, our sharpest tool against both personal and political oppression. We’ve been told for so long to bottle up our anger, letting it corrode our bodies and minds in ways we don’t even realize. Yet our anger is a vital instrument, our radar for injustice and a catalyst for change. On the flip side, the societal and cultural belittlement of our anger is a cunning way of limiting and controlling our power.

We are so often told to resist our rage or punished for justifiably expressing it, yet how many remarkable achievements in this world would never have gotten off the ground without the kernel of anger that fueled them? Rage Becomes Her makes the case that anger is not what gets in our way, it is our way, sparking a new understanding of one of our core emotions that will give women a liberating sense of why their anger matters and connect them to an entire universe of women no longer interested in making nice at all costs.

Following in the footsteps of classic feminist manifestos like The Feminine Mystique and Our Bodies, OurselvesRage Becomes Her is an eye-opening book for the twenty-first century woman: an engaging, accessible credo offering us the tools to re-understand our anger and harness its power to create lasting positive change.

Amy Baer is President of Women in Film. Her experience in the entertainment Industry uniquely spans major studios, independent financiers, and producing. Collectively, the films she has supervised and/or produced have grossed nearly $2 billion in worldwide box office. Her first film as a producer was the 2013 hit LAST VEGAS (starring Michael Douglas, Robert DeNiro, Morgan Freeman and Kevin Kline) which grossed $136MM worldwide.

In 2012, she launched Gidden Media, a content incubation and production company. Its first film, the romantic drama MARY SHELLEY, starring Elle Fanning  and directed by Haifaa Al Mansour  had its World Premiere at the 2017 Toronto Film Festival.  It was released by IFC in May 2018.

Her next film, inspirational true story BRIAN BANKS, will World Premiere at the LA FILM FESTIVAL. The movie, starring Aldis Hodge, Greg Kinnear and directed by Tom Shadyac tells the story of Brian Banks, an all-American high-school football player committed to USC by his junior year, whose life was upended in 2002 when falsely accused of rape.  With the help of the California Innocence Project, Banks got his conviction overturned his name cleared in 2012 after a decade of wrongful imprisonment and parole.

Before starting her own company, Baer served as President & CEO of CBS Films (2007-2011), launching the division for CBS Corp. Baer spent the previous 17 years at Sony Pictures Entertainment, where she oversaw such hit films as MY BEST FRIEND’S WEDDING, Oscar nominated ADAPTATION, S.W.A.T., SOMETHING’S GOTTA GIVE and THE PURSUIT OF HAPPYNESS, which earned Will Smith an Oscar nomination. She also developed the 2011 Oscar-nominated Sony hit MONEYBALL, starring Brad Pitt. She began her career at Creative Artists Agency in 1988 as an assistant to the late Jay Moloney.

Baer became Board President of Women in Film in June, 2018, stepping into the role at a critical juncture in Hollywood, as the entertainment industry faces a broad reckoning over gender disparities and sexual harassment. Founded in 1973, Women In Film advocates for and advances the careers of women working in the screen industries – to achieve parity and transform culture.

Baer graduated magna cum laude from Georgetown University in 1988 with a B.A. in English literature. In addition to Women In Film, she also serves on the board of the Planned Parenthood Advocacy Project. She is a member of the Academy of Motion Picture Arts & Sciences, the Producers Guild of America.