Harry Belafonte memoir reviewed in NYT… Belafonte appears with Tim Robbins at Live Talks on Nov 28…

Harry Belafonte’s memoir, My Song is reviewed in the New York Times today by Garrison Keillor.   Belafonte appears in conversation with Tim Robbins at Live Talks Los Angeles on Nov 28. Ticket deets here…

Here’s an excerpt:

Here is a gorgeous account of the large life of a Harlem boy, son of a Jamaican cleaning lady, Melvine Love, and a ship’s cook, Harold Bellan­fanti, who endured the grind of poverty under the watchful eye of his proud mother and waited for his chances, prepared to be lucky, and made himself into the international calypso star and popular folk singer, huge in Las Vegas, also Europe, and a mainstay of the civil rights movement of the ’60s, a confidant of Dr. King’s…..

The problem of authenticity dogged Bela­fonte. He wasn’t from the South, didn’t play guitar, wasn’t a true Jamaican, wasn’t ­African-American. He was an entertainer, an actor performing songs. The blacklist almost tripped him up in 1954, when he was accused in print of being a “Communist fronter” and Ed Sullivan, a powerful man in the television world, called Belafonte up to his apartment in the Del­monico Hotel to explain himself.

In 1956, his life more or less split in two. His album “Calypso” came out with “Jamaica Farewell” and “Day-O” and was No. 1 on the Billboardchart for 31 weeks until Elvis knocked it off. And “one day in the spring of 1956, I picked up the phone to hear a courtly Southern voice. ‘You don’t know me, Mr. Belafonte, but my name is Martin Luther King Jr.’ . . . ‘Oh, I know you,’ I said. ‘Everybody knows you.’ ”

Harry Belafonte sings duet with Stephen Colbert…we host Belafonte on 11-28

Belafonte appeared on The Colbert Report last night.  The Los Angeles Times has a bit on it.  Here’s an excerpt:

Colbert pressed Belafonte on why he used his “banana-counting fame” to enact social change. “Why not just be rich and lusted after? That’s what I do.”

Belafonte replied, “I thought that the community from which I came would be better served if I would focus the light on the people who are not quite as fortunate as we are, and that I had a responsbility to reach into that misfortune and try to make a difference.”

The highlight of the interview arrived in the last minute, when Colbert coyly asked Belafonte if he still sings. Belafonte said that he does, but only occasionally. Colbert waited a beat, then quietly started singing Belafonte’s hit “Jamaica Farewell.” “Down the way where the nights are gay, and the sun shines daily on the mountaintop,” he crooned. A few seconds later, Belafonte joined in, and the two performed an unlikely duet. It was a lovely little moment.

Watch below (the singing begins around the 5:00 mark).

Here’s the video…

 

Jerry West Q&A in Los Angeles Times…We host him at Live Talks Oct 18

There are some tickets left to see Jerry West discuss his memoir with Peter Guber tomorrow, Oct 18, at Track 16 at Bergamot Station.  Get ’em here. 

Here’s a link to a Q&A the Los Angeles Times did with West.  Here’s an excerpt:

Kobe Bryant worked out for you at Inglewood High that year, with the great defenderMichael Cooper guarding him. At the end, you said, “I’ve seen enough.” What did you see?

“Drafting high school players that high back then was not in vogue, but he was such an incredibly talented kid who could not just run fast and jump high . . . it was his joy for the game. He’d die on that court. It was so easy to see that. I felt he’d help us on our quest to get Shaquille, and be a tremendous piece — the prince in waiting. I remember telling Jerry the night of the draft, ‘We might’ve got the No. 1 player in the draft [at No. 13].’ He is a player for the decades.”

(During this interview, West said his team-building strategy was based on “looking for good fits . . . it’s about talent, but [also] how that talent fits together, judging how the talent will mature.” He said he retains “a special spot in my heart” for former coach Pat Riley, who led the team to four titles in theMagic JohnsonKareem Abdul-Jabbar era.)

You write that coach Phil Jackson “absolutely had no respect” for you, and that as your “incredible feeling for the Lakers began to wane” in the late 1990s, in hindsight, you “would have left shortly after [Jackson] arrived,” in 1999. Why was that relationship so bad?

“I told Jerry Buss to hire him. The only thing I cared about was winning, but you want a relationship with your coach. There was no relationship. You felt, ‘This is not the way we’ve operated, and we’ve won without him.’ You can’t win without great players. As good as Phil is, he might improve a team with bad players, but he wasn’t going to win. I felt underappreciated by leadership, and leadership is ownership. As we left the Forum to Staples Center, I’d say, ‘What am I doing here? What am I doing to myself?’ Destructive feelings, a different drama every day. Leaving was the biggest relief of my life. They had just won a championship, and would win two more. It was time for me to go.”

 

Harry Belafonte documentary on HBO on Oct 17 (at Live Talks on 11-28)

Harry Belafonte documentary airs on HBO on Oct 17.  Here’s a piece in Bloomberg on the doc.  Here’s an excerpt:

And he blended his artistry with activism, playing a key role in the civil rights movement alongside such leaders as the Rev. Martin Luther King Jr. as well as then-Attorney General Robert Kennedy (whom he pushed for more aggressive protection of blacks) and President John F. Kennedy (whom Belafonte schooled as a presidential candidate on the importance of King’s mission, while simultaneously advising King on how to work with the Kennedys).

The child of a Jamaican-born domestic worker in Harlem, Belafonte understood and condemned social injustices from a young age, and resolved to help correct them.

“I wasn’t an artist who turned activist, I was an activist who turned artist,” he explains.

Belafonte’s journey forms a connect-the-dots map of six decades of popular culture and social crusades. And it drives “Sing Your Song,” a beautifully conceived documentary about Belafonte’s life and the era the rest of us have shared with him. (It premieres Monday at 10 p.m. EDT on HBO.)

At first, he felt narcissistic and superfluous doing a documentary, says Belafonte, hosting a reporter at his awards- and mementos-filled office in the Manhattan neighborhood once known as Hell’s Kitchen.

“What have I got to say that people want to hear, if they’re not hearing it during the time I lived doing it?” he reasons. But then he learned a lesson from Marlon Brando, his old friend with whom he took acting classes in the early 1950s and subsequently became allied in the civil rights movement.

When Brando died in 2004, “I felt not only that America had lost a great artist, but a great social force,” Belafonte says. “But people knew little about his social activism, and he passed away without leaving any record of it.

“So I started going around, identifying all of the people who were my peers who had done incredible things but never talked about it. What began as a simple exercise in providing for the archives wound up taking four years of nothing but filming all over the world.”

Harry Belafonte, The Sunday Conversation in the LA Times….At Live Talks Nov 28

Photo: Ricardo DeAratanha / LA Times

We host Harry Belafonte at Live Talks Los Angeles on November 28. Ticket info here.  He appears on the Sunday, October 16 Los Angeles Times in The Sunday Conversation series.  An HBO documentary, Sing Your Song, about him airs Monday, October 17. Here’s an excerpt:

Most Americans alive today didn’t live through segregation in this country the way you did. Did you ever think you’d live to see a black president?

I think that our hearts were filled with hope, our goals were filled with promise. We pursued things we thought were difficult to achieve, but that did not inhibit our need to go for it, and that’s what we did. And fortunately a large number of citizens and leaders and genders and races and cultures came to the table at the moment of truth and made a difference. We had a lot going for us in those days, including a very active campus, which I’m glad to say has resurrected itself in New York and other parts of the country with what’s going on down on Wall Street.

What are you doing these days?

I spend a great deal of time with the youth you see on Wall Street. Many of them do not reside in the places where I spend a good deal of time — the prisons of America. I go into the communities where the youth are the most underserved and most disconnected, a lot of the ghettos, a lot of the communities that are languishing from joblessness and hopelessness. I go there and I preach the gospel of nonviolence, and I tell them about the things that Dr. King and others did.

You look at these kids on Wall Street and people say they don’t know what they’re doing, they’re misfits, except for one thing — nobody knows what to do with them because they’re nonviolent. Those of us who come from the teachings of Gandhi and Dr. King, it is interesting to me that everywhere you go, the thing that happened in Tunisia, in Libya, in Cairo, the violence you see is from the military. But this nonviolent thing seems to have become the code of the day, and I think they’re going to have to get a whole new set of rules on how to play this one, because I think we’re definitely on the right track.

Steve Inskeep — All Things Considered interview….We host him Oct 24 at Live Talks LA

For all you NPR fans and listeners of Morning Edition, we are pleased to be hosting Steve Inskeep in conversation with his Morning Edition co-host, Renee Montagne, Oct 24th at Track 16.  Ticket info here.

He was on All Things Considered yesterday.  Hear the piece here, and read about it.  Here’s an excerpt:

Pakistan’s port city of Karachi is 30 times larger now than it was at the end of World War II. That tremendous growth caught the interest of NPR’s Morning Edition co-host Steve Inskeep, who has made numerous reporting trips to Pakistan over the past decade. In his new book, Instant City: Life and Death in Karachi, Inskeep explores the growing pains — and the vitality — of a city experiencing explosive population growth.

“Karachi is an example of something that is happening all around the world,” Inskeep tells Michele Norris on All Things Considered. “There’s been an incredible growth of urban areas since the end of World War II even in the United States. [Metropolitan] Los Angeles is more than three times larger than it was. … Houston is six times larger. Istanbul is 10 times larger. … We could go around the world like this.”

Inskeep set out to explore what happens when a city experiences this sort of rapid population expansion. “It’s not just the birth rate; it’s mass migration,” he explains. “And that means it is different kinds of people coming together and clashing in this landscape that, for all of them, is entirely new. The city as we see it today didn’t really exist 30, 40, 50, 60 years ago.”